do you ever just wanna kinda pack up and leave out of the blue without saying anything to anyone like just leave and start a new life thousands of miles away because i think i would love to do that wow
(Source: rodneykong, via behhhhh)

do you ever just wanna kinda pack up and leave out of the blue without saying anything to anyone like just leave and start a new life thousands of miles away because i think i would love to do that wow
(Source: rodneykong, via behhhhh)
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me.
If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
Nicole Krauss, The History of Love (via commovente)Okurie by Yosuke Tan
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Marjorie Celona, Y
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Anonymous asked: I still owe you.
…That’s a little bit creepy since you’re anon and all… But what for? :)
Anonymous asked: Hi.
Yes, hello? :D
Everyone who reblogs this will get the title of a book to read based on their bio/posts.
Everyone. I mean it.
THIS IS THE BEST POST
I HAVE EVER SEEN
EVER
they really do mean everyone
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Kazuo Oga (various watercolour works c.1988)
Just. Wow.
Kazuo Oga is one of the most inconspicuously famous artists, which is inspirational in its own right by how humbling it is. You would think they were digital from an immediate approach, however upon closer inspection of the textures, lighting and layering it’s clear they’re perfectly hand crafter watercolour pieces.
His works, featured in the backgrounds of various Studio Ghibli films, are subtle enough to blend into the background of the films yet stand out alone as perfection of watercolour techniques and command of lighting.
Just considering there are scenes where the camera pans across his works for several long moments reflects the sublime quality of his work. And that he was able to develop enough artworks to supply several films with stunning backdrops is nothing short of breathtaking.
That’s a good word for it, “breathtaking”.
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